By Matthew E. Milliken
MEMwrites.wordpress.com
Dec. 16, 2013
Dom Cobb is a master of his craft. The man at the heart of Christopher Nolan’s 2010 feature movie, Inception, is an extractor — an illegal operative who is handsomely paid to insert himself into dreams for the purpose of stealing secrets.
Cobb, played by Leonardo DiCaprio, has a problem. Its nature isn’t immediately clear, but it involves his being separated from his wife, Mal (Marion Cotillard), and from their two young children.
The extractor is desperate enough to resolve his dilemma that he plunges himself, his wealthy employer and his team into a daring scheme. The plan hinges upon reversing the group’s normal modus operandi: Instead of stealing information from their target, they will plant an idea deep in his subconscious. The goal is to persuade industrialist heir Robert Fischer (Cillian Murphy) to disband his late father’s global energy monopoly, and to do so in such a way that Fischer believes the idea is his and his alone.
Cobb and his associates — businessman and Fischer rival Saito (Ken Watanabe), deputy extractors Arthur (Joseph Gordon-Levitt) and Eames (Tom Hardy), dream architect Ariadne (Ellen Page) and sleep-inducing chemist Yusuf (Dileep Rao) — know that inception is supposed to be impossible, even though the extractor says that he’s done it. What most of them don’t know is that Cobb’s obsession with Mal (rhymes with doll) has grown so strong that it threatens to plunge the team into oblivion.
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