Posts Tagged ‘Ellen Page’

‘To sleep, perchance to dream’ — ‘X-Men: Days of Future Past’ remakes history with a not entirely entrancing extended catnap

June 28, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
June 28, 2014

In the year 2023, the new movie X-Men: Days of Future Past informs us, virtually everything is dimly lit, computer-animated or both. More to the point, plot-wise, giant shape-shifting robots are waging a deadly war against mutated humans and anyone sympathetic to them. The remnants of the X-Men, a group of superpowered mutants, fight a losing battle over and over: Time and again, the robotic Sentinels discover and breach their hideout, slaughtering the mutants one by one, until they reach the inner sanctum and find that…nothing has happened.

The extermination of the heroic X-Men is repeatedly undone because of the duo of napper extraordinaire Bishop (Omar Sy) and psychic Kitty Pryde (Ellen Page). She’s able to project Bishop’s consciousness into the mind of his younger body, some hours or days in the past, which allows him to warn his colleagues of the impending danger and go elsewhere ahead of the Sentinels’ arrival. History changes at the very moment Bishop wakens, meaning that each deadly assault is completely lost to the universe but for Bishop’s memory of it.

Now Professor Charles Xavier (Patrick Stewart), the leader of the X-Men, has conceived a daring plan to end the war before it begins, to use the movie’s haughty phrase. Pryde will send Logan, code-name Wolverine (Hugh Jackman), into his younger body in 1973. His mission: To round up allies who will prevent the mutant Raven (Jennifer Lawrence, frequently wearing a blue bodysuit and heavy makeup) from committing the murder that triggered the destructive Sentinel-mutant war.

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A thief plants a seed: Intrigue abounds in ‘Inception,’ but it’s hard to find a reason to care

December 16, 2013

By Matthew E. Milliken
MEMwrites.wordpress.com
Dec. 16, 2013

Dom Cobb is a master of his craft. The man at the heart of Christopher Nolan’s 2010 feature movie, Inception, is an extractor — an illegal operative who is handsomely paid to insert himself into dreams for the purpose of stealing secrets.

Cobb, played by Leonardo DiCaprio, has a problem. Its nature isn’t immediately clear, but it involves his being separated from his wife, Mal (Marion Cotillard), and from their two young children.

The extractor is desperate enough to resolve his dilemma that he plunges himself, his wealthy employer and his team into a daring scheme. The plan hinges upon reversing the group’s normal modus operandi: Instead of stealing information from their target, they will plant an idea deep in his subconscious. The goal is to persuade industrialist heir Robert Fischer (Cillian Murphy) to disband his late father’s global energy monopoly, and to do so in such a way that Fischer believes the idea is his and his alone.

Cobb and his associates — businessman and Fischer rival Saito (Ken Watanabe), deputy extractors Arthur (Joseph Gordon-Levitt) and Eames (Tom Hardy), dream architect Ariadne (Ellen Page) and sleep-inducing chemist Yusuf (Dileep Rao) — know that inception is supposed to be impossible, even though the extractor says that he’s done it. What most of them don’t know is that Cobb’s obsession with Mal (rhymes with doll) has grown so strong that it threatens to plunge the team into oblivion.

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