By Matthew E. Milliken
Dec. 31, 2014
What makes life worth living? Why should society — why should anyone — value a man’s existence and accomplishments?
Those are some of the questions Norwegian director Morten Tyldum poses with his new feature, The Imitation Game, which examines the life and work of pioneering British computer scientist Alan Turing.
The movie has three interwoven narratives. The shortest, but arguably the most heart-wrenching, shows a roughly 15-year-old Turing at boarding school in the 1920s. Turing, played with touching vulnerability by Alex Lawther, is bullied mercilessly by his classmates — all but one, Christopher Morcom (Jack Bannon), who shows appreciation for Turing’s quirky personality as well as his impressive intellect.
The grown-up Turing whom we see throughout the rest of the movie is less vulnerable — at least superficially. Benedict Cumberbatch (Sherlock Holmes in the BBC’s ongoing 21st-century update of the character and Khan in Star Trek Into Darkness) portrays the main character as he first strives to crack Nazi German cryptography in World War II and then, in the early 1950s, tries to deflect the inquiries of an overenthusiastic Manchester detective who suspects Turing of spying for the Soviet Union. (To avoid spoilers, I’ll confine most of my commentary to the movie’s World War II narrative.)