By Matthew E. Milliken
April 25, 2014
Lockout, the 2012 science-fiction movie co-directed and co-written by James Mather and Stephen St. Leger, is cheesy, easily forgotten silliness.
The film, which was also co-written by French director Luc Besson, begins in the year 2079 as Snow, a former CIA agent, is being interrogated by Scott Langral, the director of the Secret Service. Langral believes that Snow has killed his (Snow’s) friend, Frank Armstrong, a military official. The Secret Service suspected Armstrong of selling secrets, and Langral’s theory seems to be that Snow offed his buddy in order to maximize his personal profit from the transaction. Snow is condemned to 30 years of cryogenic sleep in MS-One, a controversial orbital prison.
Meanwhile, the facility is being inspected by one Emilie Warnock, who wants to know whether extended sleep might be damaging the psychological stability of inmates. Thanks to a series of unfortunate events (to borrow a phrase), a prisoner whom she interviews is able to steal a gun, escape the interview room and force a technician to wake the space station’s 500 violent prisoners from stasis. The captives run wild, turning the tables on their former captors.
As fate would have it, Warnock is the only child of the widowed president. Snow is offered a deal: Covertly board MS-One, locate the president’s daughter and exfiltrate her in exchange for clemency.