By Matthew E. Milliken
Oct. 9, 2014
Oh, Supernova. You could have been so, so good. Instead, you were so completely awful.
Supernova, the 2000 science fiction/horror movie, is a famously bad film. Its credited director is Thomas Lee, the pseudonym chosen to replace Alan Smithee after the cover of that moniker was blown by 1997’s An Alan Smithee Film: Burn Hollywood Burn. According to the Internet Movie Database, the actual main director of Supernova was Walter Hill, the writer-director of 48 Hrs. and a producer of Aliens and several lesser science-fiction movies. IMDB also says that Supernova had uncredited directorial and/or editing contributions from cinema immortal Francis Ford Coppola (yes, the man who filmed The Godfather and Apocalypse Now!) and B-movie director Jack Sholder (The Hidden, which I actually remember as being quite good).
The movie’s setup is fairly straightforward. As ambulance vessel Nightingale patrols remote areas of deep space, its crew slowly adjusts to its newest member — pilot Nick Vanzant (James Spader), a former military man who recently finished rehabilitation for his addiction to a futuristic drug named hazen. The crew finds Vanzant to be cool and distant; he finds them to be gruff and unorthodox.
Captain A.J. Marley (Robert Forster) is working on his doctorate in anthropology, a pursuit that requires him to watch (and comment disparagingly about) violent 20th century cartoons. Benj Sotomejor (Wilson Cruz), who is either the ship’s navigator or its information technology guy — it’s never made clear — has reprogrammed and is becoming emotionally intimate with the Nightingale’s computer, Sweetie (voiced by Vanessa Marshall). Paramedics Danika Lund (Robin Tunney) and Yerzy Penalosa (Lou Diamond Phillips) are rutting like rabbits and considering whether to have a child together. (He’s gung-ho; she’s reluctant.) Dr. Kaela Evers (Angela Bassett), who had a hurtful relationship years ago with a hazen addict, seems to spend most of her time glowering and lecturing Vanzant.
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