Posts Tagged ‘Zoe Saldana’

The 2016 ‘Star Trek’ movie urged viewers to tolerate and embrace differences even as some Americans sought safety in homogeneity

April 28, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
April 28, 2017

Author’s note: I am once again on a bit of a Star Trek kick. Having just written, respectively, about the most recent and the first Trek movies, I now intend to discuss the cultural and political implications of the latest Star Trek and Star Wars features (that’s the purpose of this post). Be on the lookout for a vignette about going to see Star Trek: The Motion Picture in the movie theater, after which I’ll return to more varied subjects. MEM

The Star Wars franchise is a largely apolitical one. Creator George Lucas conceived of his space saga in largely black-and-white terms. The color lines were literal in some cases, as when the towering evil black-clad Sith Lord, Darth Vader (David Prowse, voiced by James Earl Jones), menaced the elfin, virtuous white-clad rebel, Princess Leia (Carrie Fisher) in 1977’s Star Wars (retroactively retitled Star Wars: A New Hope).

Lucas later introduced some more nuance and ambiguity, with moody protagonist Luke Skywalker (Mark Hamill) donning dark-colored apparel for the latter half of Star Wars: The Empire Strikes Back and most of Star Wars: Return of the Jedi. And to his credit, Lucas attempted to explore what happens when peaceful societies are overtaken by complacency, greed and corruption in his prequel trilogy.

But even in the prequel trilogy, Lucas was pretty light on specificity; other than “Don’t vote to establish a standing army” or “Don’t entrust leadership of your enfeebled and embattled republic to a creepy politician who is also secretly a master manipulator and skilled warrior with awesome telekinetic powers who can shoot death lightning from his fingertips,” he offers no solid prescriptions for preserving peace and democracy. This is, perhaps, no surprise: The franchise is called Star Wars, after all, not Star Governance.

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The Enterprise crew takes an entertaining but inessential voyage in ‘Star Trek Beyond’

April 13, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
April 13, 2017

Star Trek Beyond, the third entry in J.J. Abrams’s reboot of the venerable science fiction franchise, is a pleasant but ultimately inessential way to pass two hours.

As the picture begins, Captain James T. Kirk (Chris Pine) and the intrepid crew of the starship Enterprise are roughly three years into their five-year mission. But Kirk has grown weary of deep-space exploration (there’s an amusing shot of him opening his closet to see several hangers displaying identical uniforms). Meanwhile, his first officer, Spock (Zachary Quinto), feels compelled to break off his relationship with the human communications officer Uhura (Zoe Saldana) because of his wish to help propagate the Vulcan species. This longing is only magnified when he learns of the death of Ambassador Spock (the late Leonard Nimoy, glimpsed in stills), his counterpart from and link to the original Star Trek TV series.

When Enterprise puts in for resupplying, rest and recreation at the remote (and oddly named) Starbase Yorktown after an unsuccessful attempt to broker peace between two warring alien races, there’s a distinct air of discontent about the ship. And yet Kirk remains up for a challenge; when the alien Kalara (Lydia Wilson) rockets toward Yorktown on an escape pod spinning a tale about how her crew has been marooned on an even more remote planet named Altamid, the captain gathers his crew for a voyage through an uncharted nebula.

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Funny? Meh. Fun? Yeah!!! (In which I explain why you should probably have seen ‘Guardians of the Galaxy’ already.)

September 4, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Sept. 4, 2014

Guardians of the Galaxy, the most recent release from the Marvel Comics movie empire, is a fun, light-hearted science-fiction action-adventure film that you probably should have seen several weeks ago if you have any interest in that type of thing.

The movie’s protagonist is the wise-cracking, bubble-gum-chewing Peter Quill (Chris Pratt). In a brief prologue set in the 1980s, Peter is abducted from Earth by an alien group known as the Ravagers moments after the death of his mother. This isn’t quite as shocking to Quill as it might have been to the ordinary middle school student, since his mother had always told him that his father was an extraterrestrial.

Roughly two decades later, we find Quill visiting an abandoned alien city, where he combines advanced technology and 1970s aesthetics. On his way to recovering a mysterious orb, Quill dances to a portable tape cassette playing one of numerous vintage songs featured in the movie.

With the job nearly accomplished, Quill (or Star-Lord, as he sometimes calls himself) is accosted by some second-tier alien villains whose names I did not catch. (I thought of them as Chief Henchman and the Expendables; all are employed by a notorious religious fanatic named Ronan the Accuser.) The human uses skill, daring, clever gadgets and luck to make his escape, but his troubles are only beginning.

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Up in the air: J.J. Abrams juggles balls aplenty in a dynamic, overstuffed ‘Star Trek Into Darkness’

August 28, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Aug. 28, 2014

Star Trek Into Darkness, director J.J. Abrams’s second entry in the rebooted Star Trek series, is packed to the gills with characters, plot threads and action. Unfortunately, the 2013 film is guilty of trying to do a bit too much.

Into Darkness is fun, no doubt. It recapitulates one of the most popular narratives in the Star Trek oeuvre: The story of Khan Noonien Singh, a genetically engineered warlord who was frozen in a cryogenic tube and exiled from Earth after the bloody Eugenics Wars of the late 20th century. Gene Roddenberry’s pioneering 1966 television show featured Khan as the villain of the week in “Space Seed,” a first-season Star Trek episode; 16 years later, the character formed the dark heart of Star Trek II: The Wrath of Khan, which many still consider to be the best of the franchise’s dozen movies.

Abrams’s movie combines elements of both outings while adding plenty of new twists. Khan (Benedict Cumberbatch, charismatic but far paler than any man playing a character named Khan should be) and his frozen coterie of superhumans are discovered by a Starfleet commander other than the Enterprise’s James T. Kirk, and Khan’s 23rd-century machinations take quite a bit of unraveling as our heroes seek to learn just who he is and what he’s about. (As superfans already know, the movie is chockablock with dangerous newfangled torpedoes, and there are a pair of characters named Marcus, but there are no signs of the U.S.S. Reliant or the planet-shattering Genesis project.)

The film begins with an action sequence on the planet Nibiru, where Kirk (Chris Pine) breaks all the rules to preserve a primitive civilization and the life of his first officer, Spock (Zachary Quinto). The opening act sets up several character arcs by displaying Kirk’s immaturity and Spock’s refusal to engage with the emotional needs of his friend (Kirk) and lover (communications officer Uhura, played by Zoe Saldana).

A few minutes later, a Starfleet facility in London is destroyed and a gunship kills several officers at fleet headquarters in San Francisco. This prompts a furious Admiral Marcus (Peter Weller) to dispatch Kirk to the Klingon home world, Qo’noS (pronounced Kronos), with orders to kill the fugitive responsible for both attacks. But it turns out that the fugitive is not who he seems, and neither are some of the other characters who are either crewing or focusing their attention on the Enterprise.

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January 17, 2014

By Matthew E. Milliken MEMwrites.wordpress.com Jan. 17,
2014 Let me start off with this: Right from the start, I’ve had
mixed feelings about the rebooted Star
Trek
enterprise. (Sorry, I couldn’t resist the
pun.) One reason for this, of course, involves the cast: William
Shatner, Leonard Nimoy, the late DeForest Kelley, George
Takei, Nichelle Nichols and all the rest of the cast of the
original Star Trek portrayed their
characters throughout three TV seasons and six feature films. The
thought of seeing different people play Captain James T. Kirk,
Spock, Dr. Leonard “Bones” McCoy, Hikaru Sulu, Nyota Uhura and the
others is just — well, it’s
frankly weird. I first became aware of
the original Star Trek when I was a
child, and I still vividly remember the excitement that surrounded
the release of the first several Star
Trek
movies. It’s a stretch to say I grew up with
these characters, whose adventures I also followed throughout a
number of original novels — but not a huge one. When
producer-director J.J. Abrams assembled his cast for the 2009
reboot, titled simply Star Trek, he came
up with an interesting group. As Kirk, Chris Pine has something of
the charisma of the young Shatner. Zachary Quinto seems to be a
fine actor, but I frequently think that he has the wrong voice (too
high-pitched) and nose (not angular enough) for Spock. Karl Urban
(a New Zealander,
natch) and Zoe Saldana capture some of the essence of McCoy and
Uhura, respectively, even though I find Urban’s gruff intonation
cartoonish and grating.

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