Posts Tagged ‘William Shatner’

The flawed but beautiful ‘Star Trek: The Motion Picture’ successfully launched a pioneering TV show onto the silver screen

April 25, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
April 25, 2017

A strong case can be made that 1979’s Star Trek: The Motion Picture is the most ambitious movie in the Trek franchise, as well as the one that holds truest to the science fiction tropes of peaceful exploration that were famously embodied by Gene Roddenberry’s original television series. And an equally strong case can be made that Star Trek: The Motion Picture is among the least watchable of all the Trek films, both on the franchise’s own terms as well as those of cinema in general.

(Reader beware: Mild spoilers ensure.)

Before I dive into either argument, a plot summary: An presmense and incredibly powerful energy field of unknown origin is flying toward Earth after having erased three Klingon battle cruisers without breaking sweat. Strangely, although Starfleet is headquartered on Earth, the organization has only one ship capable of intercepting this vast cloud, which we eventually learn calls itself V’ger. That vessel, naturally, is one U.S.S. Enterprise. She is fresh off a two and a half year long refit without having undergone a shakedown cruise, she’s assigned to an untested captain, and her crew is young and largely untried.

Enter one Admiral James Tiberius Kirk (the one and only William Shatner), who has (it is strongly implied) spent the interim period serving as chief of Starfleet operations. He persuades his boss (the unseen Admiral Nogura) to restore Enterprise to his command, usurping the bright-eyed, bushy-tailed Capt. Willard Decker (Stephen Collins). As the crew struggles to prepare the starship for its upcoming encounter, and as Kirk comes to grips with the challenges of the situation, the starship finds itself facing a powerful entity that regards humanity as an infestation. Life on Earth could be exterminated unless Kirk and his top officers — Decker, a cranky Dr. McCoy (DeForest Kelley) and an incredibly remote Spock (Leonard Nimoy) — find a way to work together and satisfy V’ger’s desire to unite with God.

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‘Star Trek Generations’ got the 24th-century Enterprise crew off to an uneven start in the movie theaters

March 11, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
March 11, 2015

Star Trek Generations, the seventh feature film in that science fiction franchise, opened in theaters in November 1994, a few months after the end of the seventh and final season of Star Trek: The Next Generation. The movie, which was written by TNG producers Rick Berman, Ronald D. Moore and Brannon Braga, was explicitly intended to springboard the newer cast into a cinematic series.

Generations did so in part by transporting a character from the original show and movie series into a 24th-century adventure. The Next Generation had largely avoided this kind of crossover, at least partly out of deference to the wishes of Trek’s creator, Gene Roddenberry, who died in 1991 at age 70.

(Dear readers: There be spoilers ahead. I mean, they’re for a 21-year-old movie, but still, you’ve been warned!)

The movie starts in the 23rd century as Captain James T. Kirk (William Shatner) and two of his former crewmen participate in the maiden voyage of the fourth starship Enterprise. This time around, Kirk isn’t in charge — he’s just a guest aboard the Excelsior-class vessel, registration number NCC-1701-B. The crew includes a young ensign named Demora Sulu (Jacqueline Kim), the daughter of Kirk’s old helmsman. Kirk wonders aloud how Sulu was able to start a family. “If something’s important, you make the time,” Montgomery Scott (James Doohan) reproachfully tells his former commanding officer.

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After Genesis: More notes on the evolution of ‘Star Trek’ and Spock following ‘The Wrath of Khan’

March 9, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
March 9, 2015

The recent death of actor Leonard Nimoy prompted me to watch and think about the ending of Star Trek II: The Wrath of KhanThat 1982 film, which was written by Harve Bennett and Jack B. Sowards and directed by Nicholas Meyer, is probably the high point of the Star Trek franchise.

(Note: As with my previous post, this blog entry contains mild spoilers. Of course, it’s for a 33-year-old movie, but anyway, you’ve been warned: There be spoilers ahead.)

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Farewell to Spock: Notes on the poignant denouement of ‘Star Trek II: The Wrath of Khan’

March 6, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
March 6, 2015

After hearing that actor Leonard Nimoy, famous for portraying Mr. Spock from Star Trek, had died last week at age 83, I did the same thing as many thousands of others, and perhaps hundreds of thousands of others: I watched this clip from Star Trek II: The Wrath of Khan.

If you’ve never seen that movie, and if you care nothing for the Star Trek franchise, then move on; this blog post will be of no interest to you. If you like Star Trek but haven’t seen The Wrath of Khan, then by all means bookmark this page and put off reading the rest of this blog entry until you’ve watched the entire film.

(Yes, friends: There be spoilers ahead.)

If you’ve seen the movie, then you know the grim climactic details that I avoided spelling out in my post about the afternoon I went to watch Star Trek II in the movie theaters.

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Farewell to Spock: On seeing, and suffering through, ‘Star Trek II: The Wrath of Khan’

March 4, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
March 4, 2015

Leonard Nimoy, the actor who played Star Trek’s Mr. Spock, died Friday morning. That sad occasion prompted me to mull the first time I watched Star Trek II: The Wrath of Khan, which many (including me) consider to be the best of all the Star Trek films.

The Star Trek universe is largely a positive place, especially as depicted in the original TV series, which aired from 1966 through 1969. Yes, conflict exists, but in general, Star Trek was a much more family-friendly milieu than that depicted in landmark 1970s science-fiction entertainment such as AlienOutlandCapricorn OneSaturn 3 or even Star Wars. (Granted, George Lucas’s universe is pretty PG-friendly. But there’s very little in early Star Trek that approaches the seediness that the first Star Wars film displayed in the scenes at the Mos Eisley cantina and the Death Star trash compactor.)

Star Trek II takes a very different approach from earlier Trek. In many ways, the film — written by Harve Bennett and Jack B. Sowards and directed by Nicholas Meyer — is a rehearsal of mortality. In the opening scene, the Enterprise is brutally attacked by Klingons while on a rescue mission; Spock, chief communications officer Uhura (Nichelle Nichols), helmsman Sulu (George Takei) and Dr. McCoy (DeForest Kelley) are killed before the ship’s master, a fresh-faced female Vulcan named Saavik (Kirstie Alley) gives the order to abandon ship.

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