Posts Tagged ‘war movie’

Robert Zemeckis’s thrilling ‘Allied’ tells the story of two married World War II spies who may not have managed to come in from the cold

February 27, 2018

By Matthew E. Milliken
MEMwrites.wordpress.com
Feb. 27, 2018

Robert Zemeckis’s 2016 World War II movie, Allied, is a terrific thriller starring Brad Pitt as a Royal Air Force spy who learns that his wife may be a Nazi mole.

The film begins in 1942 in an isolated stretch of desert outside Casablanca as Max Vatan (Pitt) parachutes in to rendezvous with Marianne Beauséjour (Marion Cotillard), a Frenchwoman who’s laid the groundwork for a plot to assassinate Germany’s ambassador to Morocco. (Why would doing so offer the Allies any advantage whatsoever in the war? Unclear, I confess.)

When the pair both manage to survive the dangerous mission, Max’s bosses in the British intelligence bureaucracy give him permission to bring Marianne to England and marry her. Within months, if not weeks, of Marianne’s arrival, the duo are joined in matrimony, and she is pregnant with their daughter.

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George Clooney’s arty party can’t quite come together in tale of ‘The Monuments Men’ of World War II

February 8, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Feb. 8, 2014

A sequence in The Monuments Men captures the key problem with the new feature directed, co-written by and starring George Clooney.

As sculptor Walter Garfield (John Goodman) and Jean Claude Clermont (Jean Dujardin) are questioning a clergyman about the fate of historic artwork stolen by the Nazis, a sniper begins shooting at them. Garfield and Clermont comically argue about which of them will provide suppressive fire and which will attempt to infiltrate the structure where the gunman is located. After that matter is settled, Clermont races toward a gutted building as Garfield covers him.

Once the Frenchman is inside, his fate comes down to whether he can outfox — and outshoot — the sniper. Clermont advances to the second floor, hugs a door frame and pivots, rifle-muzzle-first, into the space that he thinks contains the shooter. It’s empty.

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