Posts Tagged ‘Pawel Pawlikowski’

Pawlikowski’s ‘Ida’ was honored by the 2015 Academy Awards

February 25, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
Feb. 25, 2015

The 87th Academy Award ceremony, which took place Sunday night, turned out to be rather political. Patricia Arquette, who won best supporting actress for her role as the mother in Boyhood, used her acceptance speech to call for gender wage equality.

When “Glory,” the theme from the wonderful civil rights film Selma, was chosen for best song, musician John Legend said, “We wrote this song for a film that was based on events that were 50 years ago, but we say that Selma is now because the struggle for justice is right now.”

Legend had more to say in his acceptance speech, adding: “We live in the most incarcerated country in the world. There are more black men under correctional control today than were under slavery in 1850.” (Legend co-wrote “Glory” with Lonnie Lynn. That musician and actor, who performs under the name Common, appears in Selma as the skullcap- and denim-wearing Rev. John Bevel.)

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A young woman hunts for the truth in the understated, powerful ‘Ida’

June 14, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
June 13, 2014

Ida, the 2013 film which director Pawel Pawlikowski wrote with Rebecca Lenkiewicz, is the powerful story of a young woman who must grapple with her family’s shadowed past and the fallout of the previous generation’s war.

The movie, which is set in Poland in the mid-1960s, revolves around Anna (Agata Trzebuchowska), who is poised to become a nun at the rural convent where she has apparently been raised since infancy. Days before Anna is scheduled to take her vows, her mother superior tells her that the convent had repeatedly written to her aunt, asking her to pick up the girl; the aunt, her only living family member, declined to do so. The nun vaguely but firmly instructs the Anna to travel to her relative’s city apartment. She tells the young woman to stay there as she needs.

The aunt, Wanda (Agata Kulesza), is a stern, trim figure who initially has little use for any echoes of her past. But she soon reverses course, welcoming Anna into her home and introducing the girl to some of their shared history. Wanda, a lifelong city dweller whose sister was Anna’s mother, agrees to drive the young woman to the small town where her parents were farmers before the Nazi invasion.

Anna’s parents — who, unbeknownst to her, were Jews — are dead, but no one knows where they are buried. The two women decide to find the grave, visiting the people who took over the property that once belonged to Anna’s family and tracking down the ailing elderly man who had once protected them from the crematoria of the Holocaust.

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