Posts Tagged ‘Omar Sy’

Scaly injustice: Gene-spliced dinosaurs rampage through a crowded theme park in ‘Jurassic World’

June 19, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
June 19, 2015

Twenty-two years after Steven Spielberg’s Jurassic Park thrilled audiences with its computer-animated dinosaurs run amok, the franchise is back. Jurassic World is the fourth installment in the series, and for my money, it’s by far the best of the sequels — not that that’s saying much.

(Quick disclaimer: I arrived a few minutes late to the screening. Did I miss anything important? Um, I hope not. I mean, I’m pretty sure I didn’t.)

The story has a lot of moving parts, but it boils down to this: A large, powerful and mean dinosaur breaks loose in a crowded theme park; action ensues.

Yes, yes, yes — it defies all logic, but there it is. Despite the chaos and carnage inflicted by reanimated reptilians in the original 1993 blockbuster, the 1997 follow-up The Lost World: Jurassic Park (which loosed a Tyrannosaurus rex on San Diego, for heaven’s sake) and 2001’s Jurassic Park III, the late John Hammond’s vision of a theme park populated by extinct species has been built. And not only built: This incarnation of his vision has opened for business. It’s adding animals and attractions every few years.

Jurassic World, as this luxury vacation destination is called, is quite popular; it’s raking in buckets of visitor revenue from an easily distracted public. It turns out, however, that in the name of increasing profits, the park’s operators have been pushing the limits of both safety and sanity — not to mention, some human-interest subplots show us, the boundaries of sentimentality, too.

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‘To sleep, perchance to dream’ — ‘X-Men: Days of Future Past’ remakes history with a not entirely entrancing extended catnap

June 28, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
June 28, 2014

In the year 2023, the new movie X-Men: Days of Future Past informs us, virtually everything is dimly lit, computer-animated or both. More to the point, plot-wise, giant shape-shifting robots are waging a deadly war against mutated humans and anyone sympathetic to them. The remnants of the X-Men, a group of superpowered mutants, fight a losing battle over and over: Time and again, the robotic Sentinels discover and breach their hideout, slaughtering the mutants one by one, until they reach the inner sanctum and find that…nothing has happened.

The extermination of the heroic X-Men is repeatedly undone because of the duo of napper extraordinaire Bishop (Omar Sy) and psychic Kitty Pryde (Ellen Page). She’s able to project Bishop’s consciousness into the mind of his younger body, some hours or days in the past, which allows him to warn his colleagues of the impending danger and go elsewhere ahead of the Sentinels’ arrival. History changes at the very moment Bishop wakens, meaning that each deadly assault is completely lost to the universe but for Bishop’s memory of it.

Now Professor Charles Xavier (Patrick Stewart), the leader of the X-Men, has conceived a daring plan to end the war before it begins, to use the movie’s haughty phrase. Pryde will send Logan, code-name Wolverine (Hugh Jackman), into his younger body in 1973. His mission: To round up allies who will prevent the mutant Raven (Jennifer Lawrence, frequently wearing a blue bodysuit and heavy makeup) from committing the murder that triggered the destructive Sentinel-mutant war.

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