Posts Tagged ‘Nichelle Nichols’

The 2016 ‘Star Trek’ movie urged viewers to tolerate and embrace differences even as some Americans sought safety in homogeneity

April 28, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
April 28, 2017

Author’s note: I am once again on a bit of a Star Trek kick. Having just written, respectively, about the most recent and the first Trek movies, I now intend to discuss the cultural and political implications of the latest Star Trek and Star Wars features (that’s the purpose of this post). Be on the lookout for a vignette about going to see Star Trek: The Motion Picture in the movie theater, after which I’ll return to more varied subjects. MEM

The Star Wars franchise is a largely apolitical one. Creator George Lucas conceived of his space saga in largely black-and-white terms. The color lines were literal in some cases, as when the towering evil black-clad Sith Lord, Darth Vader (David Prowse, voiced by James Earl Jones), menaced the elfin, virtuous white-clad rebel, Princess Leia (Carrie Fisher) in 1977’s Star Wars (retroactively retitled Star Wars: A New Hope).

Lucas later introduced some more nuance and ambiguity, with moody protagonist Luke Skywalker (Mark Hamill) donning dark-colored apparel for the latter half of Star Wars: The Empire Strikes Back and most of Star Wars: Return of the Jedi. And to his credit, Lucas attempted to explore what happens when peaceful societies are overtaken by complacency, greed and corruption in his prequel trilogy.

But even in the prequel trilogy, Lucas was pretty light on specificity; other than “Don’t vote to establish a standing army” or “Don’t entrust leadership of your enfeebled and embattled republic to a creepy politician who is also secretly a master manipulator and skilled warrior with awesome telekinetic powers who can shoot death lightning from his fingertips,” he offers no solid prescriptions for preserving peace and democracy. This is, perhaps, no surprise: The franchise is called Star Wars, after all, not Star Governance.

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Farewell to Spock: On seeing, and suffering through, ‘Star Trek II: The Wrath of Khan’

March 4, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
March 4, 2015

Leonard Nimoy, the actor who played Star Trek’s Mr. Spock, died Friday morning. That sad occasion prompted me to mull the first time I watched Star Trek II: The Wrath of Khan, which many (including me) consider to be the best of all the Star Trek films.

The Star Trek universe is largely a positive place, especially as depicted in the original TV series, which aired from 1966 through 1969. Yes, conflict exists, but in general, Star Trek was a much more family-friendly milieu than that depicted in landmark 1970s science-fiction entertainment such as AlienOutlandCapricorn OneSaturn 3 or even Star Wars. (Granted, George Lucas’s universe is pretty PG-friendly. But there’s very little in early Star Trek that approaches the seediness that the first Star Wars film displayed in the scenes at the Mos Eisley cantina and the Death Star trash compactor.)

Star Trek II takes a very different approach from earlier Trek. In many ways, the film — written by Harve Bennett and Jack B. Sowards and directed by Nicholas Meyer — is a rehearsal of mortality. In the opening scene, the Enterprise is brutally attacked by Klingons while on a rescue mission; Spock, chief communications officer Uhura (Nichelle Nichols), helmsman Sulu (George Takei) and Dr. McCoy (DeForest Kelley) are killed before the ship’s master, a fresh-faced female Vulcan named Saavik (Kirstie Alley) gives the order to abandon ship.

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