Posts Tagged ‘Neil Clarke’

Short takes: ‘The Devil in Silver,’ ‘The Third Lynx,’ ‘Odd Girl Out’ and ‘The Eagle Has Landed’

February 21, 2020

By Matthew E. Milliken
MEMwrites.wordpress.com
Feb. 21, 2020

Victor Lavalle’s 2012 novel, The Devil in Silver, begins in the early weeks of 2011 with a large, powerful man named Pepper being committed to Northwest, the psychiatric inpatient unit of the fictitious New Hyde hospital in Queens. Pepper isn’t really crazy; he’s just hot-tempered, and a little socially isolated. Three cops bring him to the hospital because it allows them to bypass an hour or two of unpaid overtime that they’d need to book him in jail for scrapping with them.

The system is hard to escape, Pepper discovers, especially after two altercations indefinitely extend what could have been just a 72-hour stint in the psych ward. He loses two months after being heavily medicated; even when his mind has fought off the drug-induced fog, the 42-year-old professional mover still thinks and moves and talks like an unsteady nonagenarian.

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Short takes: ‘The Final Frontier,’ Denis Johnson’s ‘The Largesse of the Sea Maiden’ and Poul Anderson’s ‘Tau Zero’

October 4, 2019

By Matthew E. Milliken
MEMwrites.wordpress.com
Oct. 4, 2019

The 2018 book The Final Frontier is a collection of 21 stories that share the topic of deep-space travel. My favorite entry in the book was the final one, which I’d read before: Peter Watts’s “The Island,” which is essentially a three-character narrative.

The tale is set aboard Eriophora, a deep-space vessel that set out millennia ago and whiles away the centuries ceaselessly building a network of teleportation gateways. Each gate empowers not its builders but the offshoots of whatever civilization launched the ship; each one also destroys anything near it, which is among the reasons why the vessel cannot slow or even change course by more than a tiny degree.

The unnamed narrator, like all of her crewmates, is carrying out a limited rebellion against Chimp, the deliberately hobbled artificial intelligence that ruthlessly hews to the ship’s original mission. Make that most of her crewmates — the third player in the story is Dix, the 20-something son she’s never met, who is suspiciously loyal to Eri’s brain.

‘The Final Frontier’ edited by Neil Clarke.

The narrator and Dix are awakened as part of a seemingly random rotation of personnel who shepherd the assembly of each new gate. As so often is the case, there’s a wrinkle, which is precisely why the ship has a crew. Chimp has detected an anomaly and wants to know if it will affect the build. The narrator discovers something amazing, something the AI likely would not have perceived on its own. In the end, though, she finds that her intuition — her uniquely human wisdom — may not be as well geared to comprehending the immensity and variety of the universe and its strange creations as she initially believed.

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Science fiction anthology roundup, including a major reason to visit ‘Old Venus’

March 31, 2019

By Matthew E. Milliken
MEMwrites.wordpress.com
March 31, 2019

Over the last month and a half or so, I’ve been reading a handful of anthologies. Notable among them were Galactic Empires, a 2017 publication edited by Neil Clarke themed on, well, exactly what the title says; and Infinite Stars, also from 2017, edited by Bryan Thomas Schmidt and billing itself — rather grandiosely, I thought — as “The Definitive Anthology of Space Opera and Military SF.” I enjoyed both volumes but thought the former to be stronger overall.

It’s worth devoting a moment on Schmidt’s collection because it revisits some famous science fiction universes. Infinite Stars includes a new Dune story co-written by Brian Herbert and Kevin J. Anderson, which I found to be particularly weak, and an original “Ender’s Game” story by Orson Scott Card, which I didn’t much enjoy but felt arrived at a haunting ending. I particularly enjoyed Nnedi Okorafor’s “Binti,” which approaches space exploration and interspecies conflict from an African perspective, and “Night Passage,” an Alastair Reynolds tale set in his “Revelation Space” saga, of which (unlike “Dune” and “Ender’s Game”) I have no knowledge.

However, the real point of this post is to share a few thoughts about Old Venus, a 2015 themed collection edited by George R. R. Martin and Gardner Dozois.

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