Posts Tagged ‘James Earl Jones’

The 2016 ‘Star Trek’ movie urged viewers to tolerate and embrace differences even as some Americans sought safety in homogeneity

April 28, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
April 28, 2017

Author’s note: I am once again on a bit of a Star Trek kick. Having just written, respectively, about the most recent and the first Trek movies, I now intend to discuss the cultural and political implications of the latest Star Trek and Star Wars features (that’s the purpose of this post). Be on the lookout for a vignette about going to see Star Trek: The Motion Picture in the movie theater, after which I’ll return to more varied subjects. MEM

The Star Wars franchise is a largely apolitical one. Creator George Lucas conceived of his space saga in largely black-and-white terms. The color lines were literal in some cases, as when the towering evil black-clad Sith Lord, Darth Vader (David Prowse, voiced by James Earl Jones), menaced the elfin, virtuous white-clad rebel, Princess Leia (Carrie Fisher) in 1977’s Star Wars (retroactively retitled Star Wars: A New Hope).

Lucas later introduced some more nuance and ambiguity, with moody protagonist Luke Skywalker (Mark Hamill) donning dark-colored apparel for the latter half of Star Wars: The Empire Strikes Back and most of Star Wars: Return of the Jedi. And to his credit, Lucas attempted to explore what happens when peaceful societies are overtaken by complacency, greed and corruption in his prequel trilogy.

But even in the prequel trilogy, Lucas was pretty light on specificity; other than “Don’t vote to establish a standing army” or “Don’t entrust leadership of your enfeebled and embattled republic to a creepy politician who is also secretly a master manipulator and skilled warrior with awesome telekinetic powers who can shoot death lightning from his fingertips,” he offers no solid prescriptions for preserving peace and democracy. This is, perhaps, no surprise: The franchise is called Star Wars, after all, not Star Governance.

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A motley band of raiders defies an Empire in the unexpectedly timely new ‘Star Wars’ movie, ‘Rogue One’

February 11, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
Feb. 11, 2016

Gareth Edwards’s December 2016 blockbuster, Rogue One: A Star Wars Story, is a film very much set in the Star Wars universe but not quite of that fictional realm.

The movie can be watched independently of any other Star Wars feature, and arguably might be more enjoyable that way. Nonetheless, it serves as a sort of prequel to the very first Star Wars film, the 1977 movie retroactively retitled Star Wars: A New Hope, to the point that Rogue One ends shortly before the action of George Lucas’s original blockbuster commences. The McGuffin of the new release is the Death Star, the top-secret planet-destroying super-weapon central to A New Hope — or perhaps more accurately the Death Star’s engineering specifications, which the protagonists must discover and help learn how to destroy.

Edwards’s movie features a few characters from A New Hope, notably the villains Darth Vader and Grand Moff Tarkin (using the digitally reconditioned face of the late Peter Cushing) and the robots C-3PO and R2-D2, mostly in brief cameos, as well as a handful of settings from the earlier picture.

But the main action in Rogue One involves the awkwardly named Jyn Erso. Her father, Galen Erso (Mads Mikkelsen), was once a lead engineer for the Death Star before he grew disgusted with the totalitarian Galactic Empire and fled to a remote farm world with his wife and child.

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‘The Star Wars Holiday Special’ is a widely mocked backwater in one of science fiction’s most durable franchises

January 28, 2016

By Matthew E. Milliken
MEMwrites.wordpress.com
Jan. 28, 2016

I came down with a cold last week, meaning that for a few days, it was difficult for me to concentrate on anything, or even to extract myself from bed. Once I started recovering, on Friday, I was in desperate need of mindless entertainment. (A bout with illness two winters ago, in 2014, led me to discover two smartphone games, Dumb Ways to Die and Smash Hit.)

That was one reason why I watched 1978’s infamous Star Wars Holiday Special on Friday. There were a few others. One is that after seeing The Force Awakens earlier this month, I’ve been on a bit of a nostalgia trip for Star Wars, to the extent that I’ve watched a variety of short YouTube films on different Star Wars video games (mainly the past two versions of Battlefront and various editions of Rogue Squadron). Another reason is that one of the podcasts I enjoy, How Did This Get Made?, did an episode on The Star Wars Holiday Special late last year.

In addition, I had a very vague memory of seeing a snippet of the CBS special when it originally aired, and I recalled having enjoyed that bit. Finally, The Star Wars Holiday Special contains the debut of one of the franchise’s most beloved characters, the menacing bounty hunter Boba Fett, and I confess to being curious about his premier.

Frankly, just about every bad thing I can remember hearing about The Star Wars Holiday Special is true: It is poorly written, badly acted and shoddily produced. After watching it the other day, I couldn’t tell you what audience the makers were trying to reach or to please, and honestly, I doubt they could have told you that either while they were filming the thing.

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