Posts Tagged ‘Jake Gyllenhaal’

Humanity has an inauspicious introduction to an alien organism in the sci-fi/horror movie ‘Life’

May 17, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
May 17, 2017

The grandly named 2017 movie Life is a grimly efficient horror flick set aboard the International Space Station in the near future. I use the word flick advisedly: This is a B-movie premise mounted on a very respectable $58 million budget.

The space station’s six-person course — ah, I mean crew — is working on a project called Pilgrim, in which an automated probe is returning Martian rock and soil samples to near-Earth orbit for analysis and experimentation. Matters get off to a rocky start when the probe is damaged by debris, which leads to a hair-raising high-speed rendezvous.

But that’s nothing compared to what happens when exobiologist Hugh Derry (Ariyon Bakare) discovers that one of the samples contains a dormant single-celled organism. Once Derry brings the laboratory chamber’s temperature and atmosphere to Earth-like conditions, the microscopic creature begins first moving and then multiplying.

Humanity is captivated by the discovery, and an overjoyed elementary-school student names the life form Calvin on a live broadcast. No one is happier than Derry — although he and his crewmates will soon come to regret their finding.

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Eight minutes to detonation: A disoriented soldier returns time and again to the past to thwart a terrorist bombing in the intriguing ‘Source Code’

May 21, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
May 21, 2014

A man wakes up on a train. A woman he’s never seen before tells him that she took his advice. She calls him Sean. The man slips into the bathroom. When he looks in the mirror, a stranger’s face stares back at him. The wallet he carries contains an ID card for Sean Fentress.

Minutes later, the train explodes, and the man wakes up in a capsule. A woman’s voice asks him: Did you identify the bomber? No, answers the even-more-baffled man. Concentrate, the uniformed woman on the capsule screen tells him. Shortly afterward, she projects him back into the strange man’s body. He is once again sitting across from a strange woman who tells him that she took his advice. The man has been assigned a mission by the uniformed woman and her superiors: To relive this gruesome scenario until he can locate the crucial intelligence that authorities hope will enable them to prevent further deadly terrorist attacks on the United States.

This, simply put (or about as simply as I can manage!), is the premise of Source Code, a gripping 2011 thriller with a smattering of science-fiction elements written by Ben Ripley and directed by Duncan Jones. This is Jones’s second feature film, a follow up to 2009’s brilliant Moon, and indeed the two movies have a number of things in common. Both are cerebral stories featuring a protagonist who has been isolated by his superiors in circumstances that he doesn’t fully understand. Also, most of the hero’s contact with other people is mediated through some form of machinery.

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