Posts Tagged ‘Irrfan Khan’

Scaly injustice: Gene-spliced dinosaurs rampage through a crowded theme park in ‘Jurassic World’

June 19, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
June 19, 2015

Twenty-two years after Steven Spielberg’s Jurassic Park thrilled audiences with its computer-animated dinosaurs run amok, the franchise is back. Jurassic World is the fourth installment in the series, and for my money, it’s by far the best of the sequels — not that that’s saying much.

(Quick disclaimer: I arrived a few minutes late to the screening. Did I miss anything important? Um, I hope not. I mean, I’m pretty sure I didn’t.)

The story has a lot of moving parts, but it boils down to this: A large, powerful and mean dinosaur breaks loose in a crowded theme park; action ensues.

Yes, yes, yes — it defies all logic, but there it is. Despite the chaos and carnage inflicted by reanimated reptilians in the original 1993 blockbuster, the 1997 follow-up The Lost World: Jurassic Park (which loosed a Tyrannosaurus rex on San Diego, for heaven’s sake) and 2001’s Jurassic Park III, the late John Hammond’s vision of a theme park populated by extinct species has been built. And not only built: This incarnation of his vision has opened for business. It’s adding animals and attractions every few years.

Jurassic World, as this luxury vacation destination is called, is quite popular; it’s raking in buckets of visitor revenue from an easily distracted public. It turns out, however, that in the name of increasing profits, the park’s operators have been pushing the limits of both safety and sanity — not to mention, some human-interest subplots show us, the boundaries of sentimentality, too.

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The unlikeliest of buddy movies: ‘Life of Pi’ puts a teenager and a tiger together at sea

December 22, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Dec. 22, 2014

Ang Lee’s 2012 feature film, Life of Pi, is a brilliantly realized adaptation of Yann Martel’s 2002 book, which features a bizarre premise. For the bulk of the picture, the eponymous Pi — rhymes with pie the dessert; is actually pi the mathematical constant — is stranded on a life raft in the middle of the Pacific Ocean with a Bengal tiger.

It’s to the credit of Lee, screenwriter David Magee and the entire crew that this fantastic scenario plays out convincingly. Plaudits are especially due Suraj Sharma, the first-time screen actor who portrays Pi throughout most of the movie and who, for perhaps two-thirds of the running time, is the only person on screen.

Pi’s companion bears the name Richard Parker thanks to a clerical error at the time of purchase in which the animal’s name was transposed with that of the hunter who captured him. He used to be on display at a zoo run by Pi Patel’s family in Pondicherry, India. When local authorities announce their desire to repossess the zoo’s land, the Patels decide to move to Canada; they arrange passage aboard a freighter so they can accompany their animals, most of which will be sold in North America.

Tiger and teenager come to be trapped together in a lifeboat after an immense storm sinks the freighter. This is shown in a spectacular and frightening sequence that, in terms of cinematic impact, may outdo even the meteorological monster shown in The Perfect Storm.

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