Posts Tagged ‘horror novel’

Short takes: ‘The Devil in Silver,’ ‘The Third Lynx,’ ‘Odd Girl Out’ and ‘The Eagle Has Landed’

February 21, 2020

By Matthew E. Milliken
Feb. 21, 2020

Victor Lavalle’s 2012 novel, The Devil in Silver, begins in the early weeks of 2011 with a large, powerful man named Pepper being committed to Northwest, the psychiatric inpatient unit of the fictitious New Hyde hospital in Queens. Pepper isn’t really crazy; he’s just hot-tempered, and a little socially isolated. Three cops bring him to the hospital because it allows them to bypass an hour or two of unpaid overtime that they’d need to book him in jail for scrapping with them.

The system is hard to escape, Pepper discovers, especially after two altercations indefinitely extend what could have been just a 72-hour stint in the psych ward. He loses two months after being heavily medicated; even when his mind has fought off the drug-induced fog, the 42-year-old professional mover still thinks and moves and talks like an unsteady nonagenarian.

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Short takes: ‘Famous Men who Never Lived’ and ‘Meddling Kids’

January 28, 2020

By Matthew E. Milliken
Jan. 28, 2020

The New York City that Helen Nash and Vikram Bhatnagar travel through is not the one they knew. The two main characters in K. Chess’s 2019 debut novel, Famous Men Who Never Lived, are UDPs, or universally displaced persons. Their New York City has been destroyed; they are permanently cut off from everyone and every place they ever knew.

The protragonists are among about 160,000 New Yorkers from an alternative timeline who escaped nuclear catastrophe through a sort of one-way dimensional portal. Their timeline diverged from ours about 11 decades ago, in 1910. Some landmarks and neighborhoods in the new New York City are familiar; others are entirely different.

The same is true of the linguistic, political, cultural and technological landscapes for the UDPs. Back home, the refugees used ordinators, not smartphones; a world war in their 20th century saw America besieged by a hostile Latin American power; gay people there were called verts and hadn’t won marriage equality.

It’s no wonder that so many UDPs are lost in the new world — although to be fair, Hel (who plays a more prominent role than Vikram, her lover), didn’t fit in so well back home. She was a cancer surgeon there who’d ceded custody of her son to her ex-husband; here, she’s an unemployed layabout.

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Parents just don’t understand the number of the beast in Grady Hendrix’s sprightly horror novel ‘My Best Friend’s Exorcism’

December 13, 2019

By Matthew E. Milliken
Dec. 13, 2019

Abby Rivers, the heroine of the comedic horror novel My Best Friend’s Exorcism, bonded with her new classmate Gretchen Lang in December 1982, when they were both fourth graders. The bulk of Grady Hendrix’s 2016 novel takes place during the fall of their sophomore year, in 1988. That gives the author, who seems to have grown up around the same time as his characters, an excuse to reference a whole bunch of 1980s pop culture that many readers may have forgotten, or never known in the first place.

An early chapter about Abby and Gretchen’s budding friendship reminds us, among other things, that Madonna’s early music and the miniseries The Thorn Birds were considered to be very scandalous at the time, at least in certain quarters. That’s not the only appeal to nostalgia here; in a clever touch, each chapter title is borrowed from period pop songs: “The Number of the Beast,” “King of Pain,” “Missionary Man” and so on.

This eighties homage will obviously appeal to members of a certain generation. But that needn’t limit the book’s appeal. Hendrix, a prolific author with a deep love of horror, trashy novels and Asian movies, has crafted an appealing story about teenage friendship that should resonate with people of almost any age.

Gretchen’s sophomore year goes awry shortly after it begins, when she, Abby and their friends Margaret and Glee take tabs of acid over a September weekend at Margaret’s family’s beach house outside Charleston. The drug doesn’t seem to have much effect, but Gretchen wanders off and disappears into the woods until dawn.

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Short takes: John Darnielle’s ‘Universal Harvester’ and Kim Stanley Robinson’s ‘2312’

September 1, 2019

By Matthew E. Milliken
Aug. 31, 2019

The Mountain Goats released their debut record, Sweden, in 1995, and have gone on to make 15 more albums. One of its members is a Durham resident, John Darnielle, who is described in part in his publisher’s biography as “the writer, composer, guitarist, and vocalist for the band.” His first novel, Wolf in White Van, debuted to critical praise in 2015.

Darnielle’s second book, the horror novel Universal Harvester, came out two years later. Genre fans should be aware that this is horror is literary, not lurid; the volume is far more reminiscent of the painting “American Gothic” than, say, a slasher film or the science fiction/horror movies of which I’m fond.

That 1930 work by Grant Wood may well have served as inspiration for the novel, which takes place almost entirely in small Iowa communities. Universal Harvester’s characters are as repressed as the Iowa couple — in reality, a dentist and the artist’s sister; in Wood’s depiction, a farmer and his daughter — that peers out of the canvas.

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A marine legend turns terrifyingly real for the scientists and sailors of Mira Grant’s ‘Into the Drowning Deep’

June 18, 2019

By Matthew E. Milliken
June 18, 2019

Author’s note: This book review, and particularly the novel excerpt featured herein, concerns a horror story and may not be appropriate for younger or sensitive readers. MEM

The California-born author Seanan McGuire has published, by my count, more than 40 different books, a handful of essays and dozens of short stories — all this before her 42nd birthday. In a somewhat catty assessment, The Encyclopedia of Science Fiction sniffs that “[t]he fluent copiousness of McGuire’s talent helps explain the rapid increase of interest in her work; but may also explain its occasional repetitiveness.”

Some 10 of McGuire’s novels appear under the nom de plume Mira Grant, which she adopted for reasons unclear to me. The most recent Grant book is 2017’s Into the Drowning Deep, an entertaining trifle about a research vessel that makes… well, not exactly first contact… with carnivorous human/fish hybrids that normally dwell in the deeps of the Pacific Ocean.

Grant assembles her voyagers aboard the Melusine, a spacious new research vessel that sets sail for the Mariana Trench in August 2022. The ship and expedition have been commissioned by Imagine Entertainment, a media empire with the approximate success and scope of Disney — although its aesthetics are more aligned with those of infamous C-movie studios like Cannon Films and the Asylum.

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The undead populate the Big Apple in Colson Whitehead’s haunting ‘Zone One’

July 9, 2013

By Matthew E. Milliken
July 9, 2013

Colson Whitehead’s 2011 zombie novel, Zone One, gave me nightmares.

There are a number of reasons why that might have been. One is that it’s a horror novel — a tale of the zombie apocalypse — and a damn scary one, to boot. Another is that I rarely read or watch horror stories. A third is that the ending is quite macabre.

Zone One takes place over one weekend, but the events it portrays are pulled from the entire span of the protagonist’s life. He is one Mark Spitz (as he is nicknamed), a native of New York City’s Long Island suburbs who is now based in lower Manhattan — or Zone One, as it’s been dubbed. Spitz and his two Omega squad teammates are sweepers, tasked with entering every single space that might contain a zombie.

Actually, that word is never (to my recollection) used in the book. The monsters are instead referred to by one of two labels: skels, which are the typical mindless zombies that feed on people, and stragglers, which are a novel sort of undead that are frozen in place. Both kinds are to be shot in the head, bagged and hauled (or thrown) down to the street. There, following their collection by Disposal workers, the corpses are carried by horse-drawn cart for incineration at “Fort Wonton.”

Although Zone One is a massive reclamation project, it’s part of an even larger endeavor: The cleansing of post-apocalyptic America. The effort is led by a provisional government in Buffalo that issues pamphlets on “Living with PASD” (that’s post-apocalyptic stress disorder, natch) and is preparing for a global summit.

Mark Spitz is a damaged man, yet he is also — strangely — a flourishing one. In his journey through the zombie-riddled East Coast, he finds safety repeatedly, only to see it compromised time and again. Read the rest of this entry »

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