Posts Tagged ‘horror anthology’

Stephen King’s 2015 collection ‘The Bazaar of Bad Dreams’ is a mixed bag

October 14, 2019

By Matthew E. Milliken
MEMwrites.wordpress.com
Oct. 14, 2019

It was with no small interest that I began reading The Bazaar of Bad Dreams, Stephen King’s 2015 short story collection. His 1978 anthology, Night Shift, gave me chills when I first read it back in the… well, a long time ago. And I found that it held up just fine when I reread the volume earlier this year.

Unfortunately, The Bazaar of Bad Dreams is a bit of a mixed bag when compared with its predecessor. There are some definite hits here, but also some big whiffs.

King is not just one of the most successful authors alive today; he’s one of the most successful in the history of the world. He’s also a vital presence on social media, especially if you enjoy reading sassy left-wing commentary.

But he often gets in his own way in The Bazaar of Bad Dreams. His introduction struck me as rather silly:

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Horror maven Stephen King’s 1978 anthology ‘Night Shift’ still packs a powerful sting

March 23, 2019

By Matthew E. Milliken
MEMwrites.wordpress.com
March 23, 2019

Look, Stephen King obviously doesn’t need my help to sell more copies of his books — even though, as I recently established, he isn’t the best-selling modern fiction author of all (or even just of modern) times. But still…

I recently reread Night Shift, a 1978 anthology of King stories that I probably first read back in the ’80s. I’m happy to report that I enjoyed it as much as I did the first time round. Some of the passages that chilled me back then gave me the same shivers of horror more than two decades later.

The book contains 20 stories, which by my count directly inspired an eye-popping six movies: Children of the CornMaximum Overdrive (infamously known as King’s only directorial outing, based on the story “Trucks”), Graveyard ShiftThe ManglerSometimes They Come Back and The Lawnmower Man (although this film was so loosely based on King’s story that he successfully sued to have his writing credit de-emphasized).

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In Matheson’s ‘Legend,’ the build-up may often be slow, but the payoff is typically deadly

April 22, 2013

The premise of I Am Legend is almost primal in its appeal. To use the tag line on a recent edition of this Richard Matheson, in the eponymous novella, “The last man on Earth is not alone.”

So powerful is the concept of this 1954 story that I Am Legend has been filmed not once but four times, with varying degrees of fidelity. (I’ve seen none of these movies, the most notable of which have starred Vincent Price, Charlton Heston and Will Smith.)

The original story by Matheson centers on Robert Neville, a seemingly unremarkable suburban Los Angeleseño who appears to be the only man to have survived intact a plague that converted the world’s population into vampires.

Neville alternates between despair and resolve. Matheson follows him as he makes his daily rounds: Killing vampires in their slumbers and researching possible causes and cures for the plague on sunny days, maintaining and fortifying his home on cloudy ones.

The author deftly paints the psychological stresses his hero suffers. Neville is very much an Everyman, or at least he fits the image of John Q. Public that many 1954 magazine readers likely had. He’s handy with tools but has limited ability to absorb the scientific knowledge that could lead him to an antidote. Still, he makes do, fighting off the temptations of alcohol and suicide.

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