Posts Tagged ‘crime novel’

An ex-jock gets tangled up in a scheme to abscond with ill-gotten cash in the crime thriller ‘Caught Stealing’

June 30, 2016

By Matthew E. Milliken
MEMwrites.wordpress.com
June 30, 2016

More than 16 years ago, novelist Colin Harrison published a gritty crime thriller called Afterburn. I read it not long after its release, and while a lot of the details have faded with time, I remember its brutality. One of the main characters is tortured by mobsters eager to recover some missing money; although at least one character in the book arrives at a happy ending of sorts, most of the others experience grievous and permanent harm along the way.

I thought of Afterburn recently while reading Caught Stealing, a 2004 Charlie Huston novel that shares part of the earlier book’s premise, along with its penchant for putting characters through the grinder. Moreover, the volumes have almost the same setting — Manhattan at the close of the 20th century, although Harrison’s book takes place in 1999 while Huston’s spans Sept. 22 through Oct. 1, 2000.

Huston’s protagonist is Hank Thompson, a 30-something (or nearly so) alcoholic bartender. He inadvertently gets caught up in a vicious caper when his neighbor asks him to take care of his cat, Bud, while he goes to visit his terminally ill father.

The neighbor is named Russ Miner, and he’s got a secret: Although his father is dying, he’s actually skipping town in an attempt to avoid cutting his partners-in-crime in on the $4.5 million dollars taken in a string of small-town bank robberies around the country — money which they trusted him to store until the heat had cooled a bit.

Read the rest of this entry »

Like father, like son? Identity is inextricably tied to parentage in Nick Harkaway’s ‘Angelmaker’

December 18, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Dec. 18, 2014

Absent parents loom large in the fictional realm. A key component of the original Star Wars trilogy is Luke Skywalker’s gradual discovery of the particulars of his parentage (especially the villainy of his father, the genocidal Darth Vader) and Luke’s struggle to develop his supernatural powers without being consumed by his own dark, angry impulses. The rebellious nature of the alternative timeline’s James Tiberius Kirk is shaped in large part by the absence of his father, George, whom director J.J. Abrams killed off in the opening sequence of the 2009 Star Trek reboot. Likewise, the rebooted Amazing Spider-Man makes the research and relationships of Richard Parker, father of the orphaned web-slinging Peter Parker, a key plot point in both of the series’s first two outings.

I’d wager that matters of parentage are even more prominent in British fiction. After all, the United Kingdom has been ruled for centuries by a hereditary monarchy, with power passing (at least in theory) from one generation of royalty to the next.

A major storyline in J.R.R. Tolkien’s Lord of the Rings trilogy involves Aragorn assuming the position of king of Gondor that, according to genetics and custom, is rightfully his. My recollection of the books is hazy, but in Peter Jackson’s wonderful movie adaptation, when the audience initially encounters this character, he goes by the name of Strider and appears to be a well-trained woodsman accustomed to operating on his own — hardly the résumé of the standard fantasy prince.

Read the rest of this entry »

%d bloggers like this: