Posts Tagged ‘Colin Trevorrow’

J.J. Abrams caps an iconic space-opera franchise with the flashy but not necessarily compelling ‘Star Wars: The Rise of Skywalker’

February 20, 2020

By Matthew E. Milliken
MEMwrites.wordpress.com
Feb. 20, 2020

Star Wars: The Rise of Skywalker, the 11th entry in the blockbuster space opera, opens with a blast from the past. As the series’ signature opening crawl that follows the film’s title (see previous sentence) and episode number (nine) announces:

The dead speak! The galaxy has heard a mysterious broadcast, a threat of REVENGE in the sinister voice of the late EMPEROR PALPATINE.

GENERAL LEIA ORGANA dispatches secret agents to gather intelligence, while REY, the last hope of the Jedi, trains for battle against the diabolical FIRST ORDER.

Meanwhile, Supreme Leader KYLO REN rages in search of the phantom Emperor, determined to destroy any threat to his power…

Director J.J. Abrams, who directed the 2009 Star Trek reboot and its first sequel and Star Wars: The Force Awakens, among other projects, and who helped create the TV series Alias and Lost, thusly sets up the climax to the third Star Wars trilogy before a single planet, object or person appears on screen. If The Force Awakens, which launched the franchise’s latest trio in 2015, recapitulated George Lucas’s first Star Wars, retroactively titled A New Hope (1977), and The Last Jedi (2017) took The Empire Strikes Back (1980) as its template, then The Rise of Skywalker, released in December 2019, is here to replay 1983’s Return of the Jedi for audiences young and old.

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Scaly injustice: Gene-spliced dinosaurs rampage through a crowded theme park in ‘Jurassic World’

June 19, 2015

By Matthew E. Milliken
MEMwrites.wordpress.com
June 19, 2015

Twenty-two years after Steven Spielberg’s Jurassic Park thrilled audiences with its computer-animated dinosaurs run amok, the franchise is back. Jurassic World is the fourth installment in the series, and for my money, it’s by far the best of the sequels — not that that’s saying much.

(Quick disclaimer: I arrived a few minutes late to the screening. Did I miss anything important? Um, I hope not. I mean, I’m pretty sure I didn’t.)

The story has a lot of moving parts, but it boils down to this: A large, powerful and mean dinosaur breaks loose in a crowded theme park; action ensues.

Yes, yes, yes — it defies all logic, but there it is. Despite the chaos and carnage inflicted by reanimated reptilians in the original 1993 blockbuster, the 1997 follow-up The Lost World: Jurassic Park (which loosed a Tyrannosaurus rex on San Diego, for heaven’s sake) and 2001’s Jurassic Park III, the late John Hammond’s vision of a theme park populated by extinct species has been built. And not only built: This incarnation of his vision has opened for business. It’s adding animals and attractions every few years.

Jurassic World, as this luxury vacation destination is called, is quite popular; it’s raking in buckets of visitor revenue from an easily distracted public. It turns out, however, that in the name of increasing profits, the park’s operators have been pushing the limits of both safety and sanity — not to mention, some human-interest subplots show us, the boundaries of sentimentality, too.

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