Posts Tagged ‘audiobooks’

Short takes: ‘Alice Isn’t Dead,’ ‘Glass Houses’ and ‘Explorers’

June 6, 2020

By Matthew E. Milliken
MEMwrites.wordpress.com
June 6, 2020

Joseph Fink adapted Alice Isn’t Dead, his striking 2018 horror novel, from a podcast of the same name. Both book and podcast describe a harrowing series of journeys undertaken by Keisha Taylor, a chronically anxious woman who becomes a long-haul trucker after seeing her missing wife in the background of a television news shot.

Alice’s long disappearance is far from the strangest thing that will plague Keisha during the tale, which was written by the co-creator of the acclaimed Welcome to Night Vale fiction podcast. In the first chapter, a man with loose skin begins to consume someone, a sight that terrifies Keisha and sends her fleeing into the gathering night. But the “Thistle Man,” as she calls the monster based on its shirt, begins to stalk Keisha, setting up a confrontation she is powerless to avoid.

The Thistle Man turns out to be part of an array of shadowy forces preying upon Americans who happen to be unruly, unwary or unlucky. Keisha will discover a secret town, hidden bases, people possessing supernatural abilities and even a potential ally or two as she fights for her life and tries to repair an existence that seemed irreparably broken after her wife vanished.

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Short takes: ‘The Final Frontier,’ Denis Johnson’s ‘The Largesse of the Sea Maiden’ and Poul Anderson’s ‘Tau Zero’

October 4, 2019

By Matthew E. Milliken
MEMwrites.wordpress.com
Oct. 4, 2019

The 2018 book The Final Frontier is a collection of 21 stories that share the topic of deep-space travel. My favorite entry in the book was the final one, which I’d read before: Peter Watts’s “The Island,” which is essentially a three-character narrative.

The tale is set aboard Eriophora, a deep-space vessel that set out millennia ago and whiles away the centuries ceaselessly building a network of teleportation gateways. Each gate empowers not its builders but the offshoots of whatever civilization launched the ship; each one also destroys anything near it, which is among the reasons why the vessel cannot slow or even change course by more than a tiny degree.

The unnamed narrator, like all of her crewmates, is carrying out a limited rebellion against Chimp, the deliberately hobbled artificial intelligence that ruthlessly hews to the ship’s original mission. Make that most of her crewmates — the third player in the story is Dix, the 20-something son she’s never met, who is suspiciously loyal to Eri’s brain.

‘The Final Frontier’ edited by Neil Clarke.

The narrator and Dix are awakened as part of a seemingly random rotation of personnel who shepherd the assembly of each new gate. As so often is the case, there’s a wrinkle, which is precisely why the ship has a crew. Chimp has detected an anomaly and wants to know if it will affect the build. The narrator discovers something amazing, something the AI likely would not have perceived on its own. In the end, though, she finds that her intuition — her uniquely human wisdom — may not be as well geared to comprehending the immensity and variety of the universe and its strange creations as she initially believed.

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A German officer and patriot recalls his service — loyal and otherwise — in the World War II memoir ‘Valkyrie’

August 27, 2019

By Matthew E. Milliken
MEMwrites.wordpress.com
Aug. 27, 2019

Philipp Freiherr von Boeselager, born in 1917, was the fourth of eight children of a prominent and monied German Roman Catholic family. He served as a cavalry officer during World War II and was part of an Army cabal that unsuccessfully attempted at least twice to assassinate Adolf Hitler, the Nazi dictator. Boeselager died on May 1, 2008, almost eight months before the release of a Tom Cruise movie about the conspiracy, Valkyrie.

Nearly a year to the day after the former cavalryman’s death, his wartime memoir, also titled Valkyrie, was published in English. The book is subtitled “The Story of the Plot to Kill Hitler, by Its Last Member,” but this turns out to be somewhat misleading: Ewald-Heinrich von Kleist passed away in 2013 at age 90. (In fairness to the publishers, I found at least two Boeselager obituaries calling him the last or “almost certainly the last” surviving plotter.)

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