Posts Tagged ‘Anne Hathaway’

The inventive comedy ‘Colossal’ shows what happens when a woman’s life becomes a disaster, both literally and figuratively

April 15, 2017

By Matthew E. Milliken
MEMwrites.wordpress.com
April 15, 2017

Minutes after the start of Colossal, Nacho Vigalondo’s quirky, entertaining new comedy, the protagonist’s life has crashed to a halt. Party girl Gloria (Anne Hathaway) is thrown out of her tony New York apartment by her exasperated boyfriend, Tim (Dan Stevens), who says he can no longer put up with her joblessness and drinking. The chronically directionless 30something woman, now suddenly homeless, retreats to the unfurnished vacation house her absent parents own in the small town of Mainhead, where she grew up.

Little does she know that her ordeal is about to get even worse. On the plus side, she reconnects with a solicitous old school friend, bar owner Oscar (Jason Sudeikis), who offers her a job, jump-starts her interior decorating, and gives her a set of instant buddies in the form of his pals Garth (Tim Blake Nelson) and Joel (Austin Stowell). On the minus side, she soon realizes that her intoxicated early-morning forays through a local park are linked with the manifestation of an immense monster that has begun terrorizing Seoul.

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‘Interstellar,’ a space-time odyssey: Christopher and Jonathan Nolan project human destiny through the prism of one man’s journey

November 29, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Nov. 29, 2014

Interstellar, the new science fiction drama from director Christopher Nolan, is a domestic drama that takes place across the reaches of space, time and physics.

The ostensible hero of the movie is Cooper (Matthew McConaughey), a widower who farms an increasingly desolate homestead in what may be rural Texas. The ostensible heroine is Brand (Anne Hathaway), a scientist whose drive to salvage humanity is sometimes undermined by her usually tightly controlled sentimentality. I don’t think the film ever reveals Cooper’s first name; Brand’s given name is Amelia, but it’s seldom used, a very deliberate omission that marks the character’s emotional coolness, underscoring the distance — real or figurative — between her and the people for whom she cares, and who care for her.

If the movie, which the English director co-wrote with his younger brother, Jonathan Nolan, ever specified the time in which it takes place, I missed it. The story seemed to me to begin a generation or two after our present time. In this dystopian future, climate change has evidently occurred, bringing with it massive dust storms and global crop failures. The ensuing famine and population collapse bring a singular focus on feeding and expanding the human population at the expense of nearly everything else.

Cooper is a relic in this world. Currently a farmer, he once had an abortive career as an astronaut. He’s bitter because the advanced technology that is now all but officially eschewed includes magnetic resonance imagers, which if available might have detected the cancer that killed his wife. He’s also angry because his children — Tom, who’s about 16, and Murph, 10 — are being taught almost exclusively about agriculture.

How narrow-minded is the emphasis on survival? It’s suggested, rather improbably, that the world’s military forces have disbanded. Also, we’re told that federally approved textbooks describe the 20th-century moon landings as a clever hoax that the U.S. government perpetrated to goad the Soviet Union into wasting enormous amounts of resources on space exploration.

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An atomic supervillain conquers Gotham in Christopher Nolan’s impressive, oppressive ‘The Dark Knight Rises’

September 23, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Sept. 23, 2014

Pity poor billionaire Bruce Wayne. At the start of The Dark Knight Rises, the 2012 blockbuster feature film based on DC Comics’s popular characters, the former bon vivant is a recluse with a limp and slightly shaggy facial hair. The troubled metropolis of Gotham has cleaned up its act in the eight years since the death of district attorney Harvey Dent at the end of The Dark Knight.

But Wayne (Christian Bale) keeps to himself, either unwilling or unable to move on after the Joker killed the love of his life, Rachel Dawes. And Wayne’s crime-fighting alter ego, Batman, whom most Gothamites unfairly blame for Dent’s death, hasn’t been seen since that the prosecutor’s demise.

The eponymous dark knight will be needed, however, because a new menace is approaching. The chief villain of British director Christopher Nolan’s third Batman movie is Bane (Tom Hardy), a mysterious masked man whose ruthlessness, strength and intelligence are only matched by his (and Nolan’s) ardor for labyrinthine plots. The Dark Knight Rises’s fast-paced beginning introduces Bane through an impressive midair hijacking in which he captures nuclear physicist Leonid Pavel and kills the CIA crew that had taken Pavel into custody. Bane also leaves behind one of his minions, noting that the authorities will expect a certain number of bodies in the wreckage. The henchmen obeys willingly, thereby enhancing the caper’s already ominous air.

There are a few other new characters (or new to Nolan’s Batverse, anyway). One is the impossibly limber Selina Kyle (Anne Hathaway), a seductive thief whom we first see flirting with a local congressman. Moments later, she spars — verbally and otherwise — with the reclusive Wayne while attempting to steal his late mother’s string of pearls. Wayne is understandably captivated by the cat burglar, whom even casual fans will recognize as Catwoman despite the word not being uttered onscreen.

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