Archive for March 17th, 2019

A Canadian master puts a modern twist on Shakespeare in Margaret Atwood’s ‘The Heart Goes Last’

March 17, 2019

By Matthew E. Milliken
March 17, 2019

Margaret Atwood, the Canadian poet and novelist, is one of the most celebrated contemporary writers. Her popular 1985 novel, The Handmaid’s Tale, postulated a post-democratic United States controlled by fundamentalist Christians. The book, which Hulu adapted into a hit streaming video series, plumbed the souls of a certain strain of Reagan supporters and came away with a vision of a near-future America that no longer seems as preposterous as it once did. (See: Bush, George W.; and Trump, Donald.)

Atwood’s MaddAddam trilogy explored future scenarios that were far wilder — as well as more dystopian and more apocalyptic — than that of The Handmaid’s Tale. As with the earlier book, the vision expressed in 2003’s Oryx and Crake and sequels, seems more relevant today than at the time of publication. Not only does corporate power, and its ability to quash individuality and independence, appear to be ascendant in the United States (thanks in no small part to federal judges appointed by Bush and Trump), scientists are slowly acquiring the genetic mastery needed to create the augmented, hybrid and altogether novel species that Atwood described in her MaddAddam sequence.

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