Archive for December 18th, 2014

There I was, driving in my car, thinking about a lake named Carr… Err, I mean Kerr

December 18, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Dec. 18, 2014

On Wednesday evening, I was making a short drive to a local coffee shop. I fiddled with the radio and found myself listening briefly to a North Carolina State men’s basketball broadcast on the school’s flagship station, Raleigh’s 101.5 FM WRAL.

I didn’t listen very long before changing the station, and I didn’t pay much to what I heard, but broadcaster Gary Hahn uttered a sentence that stuck in my mind.

“When you’re feeling it, when you’re a shooter, the basket looks as big as Kerr Lake,” Hahn exclaimed. He was discussing a hot-handed player — presumably senior guard Ralston Turner, who scored 33 points in the Pack’s 83-72 home win over Tennessee.

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Like father, like son? Identity is inextricably tied to parentage in Nick Harkaway’s ‘Angelmaker’

December 18, 2014

By Matthew E. Milliken
MEMwrites.wordpress.com
Dec. 18, 2014

Absent parents loom large in the fictional realm. A key component of the original Star Wars trilogy is Luke Skywalker’s gradual discovery of the particulars of his parentage (especially the villainy of his father, the genocidal Darth Vader) and Luke’s struggle to develop his supernatural powers without being consumed by his own dark, angry impulses. The rebellious nature of the alternative timeline’s James Tiberius Kirk is shaped in large part by the absence of his father, George, whom director J.J. Abrams killed off in the opening sequence of the 2009 Star Trek reboot. Likewise, the rebooted Amazing Spider-Man makes the research and relationships of Richard Parker, father of the orphaned web-slinging Peter Parker, a key plot point in both of the series’s first two outings.

I’d wager that matters of parentage are even more prominent in British fiction. After all, the United Kingdom has been ruled for centuries by a hereditary monarchy, with power passing (at least in theory) from one generation of royalty to the next.

A major storyline in J.R.R. Tolkien’s Lord of the Rings trilogy involves Aragorn assuming the position of king of Gondor that, according to genetics and custom, is rightfully his. My recollection of the books is hazy, but in Peter Jackson’s wonderful movie adaptation, when the audience initially encounters this character, he goes by the name of Strider and appears to be a well-trained woodsman accustomed to operating on his own — hardly the résumé of the standard fantasy prince.

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